From the monthly archives:

July 2006

How-To: Conduct a Better Interview

by Brian Gilham on July 27, 2006

Throughout my time as a journalist, both in school and the working world, I’ve covered a broad range of topics — politics, the military, agriculture, community events, campus news, you name it. In the process I’ve had to interview countless numbers of people, both public figures and private citizens.

Some of those interviews went extremely well while others tanked completely. A small number produced lasting contacts, others were simply strangers on the street. A few were unforgettable moments in my life, others were dismissed the very next day. Along the way, however, each has taught me a little bit more about the art of interviewing. I feel like it’s something I’ve gotten pretty good at, whether it be something quick and fun, or deep and serious. I’ve gathered a small collection of tips I feel could be of use to my fellow writers, journalists or students.

  • Learn to appreciate silence. Far too many interviewers have a tendency to push their own thoughts and opinions into an interview. After your subject finishes with their answer, stay quiet for a couple of beats. Look them straight in the eyes, if you have to. While this silence will be uncomfortable for the interviewee it will, in many cases, encourage them to “fill the void” and elaborate further.
  • Know your subject matter. This is so important, it bears repeating. Know your subject matter, inside and out. If you don’t, and try to fake it, your ignorance will come through in the interview. Your subject will feel like their time is being wasted and you aren’t very interested in what they have to say. Nobody expects you to be an expert (otherwise, why would you be interviewing them in the first place?) but they will expect you to have at least a rudimentary grasp of the subject you are questioning them about.
  • Don’t be afraid to repeat yourself. If you don’t understand something your subject has said, don’t be afraid to ask them to clarify themselves. It will show your interest in the subject matter and will ensure you walk out with a clear understanding of your topic. The key to effectively interviewing someone is humility.
  • Don’t rely on technology. Batteries die and tape recorders fail. The only fail-safe (beyond water or fire damage) system for recording an interview is handwritten notes. Purchase a palm-sized notepad and learn to hold it and your tape recorder in the same hand while you write. This is a good way to make sure you will always have a copy of the interview in case your tape gets hosed. That said…
  • Be accurate. Always be 100% accurate in your usage of quotes and information. Note, I didn’t say ’some of the time’ or ‘as much as possible’, I said ‘always’. No one like to be misquoted and doing so will quickly destroy your credibility.
  • Get to the point, fast. Time is valuable and everyone hates to feel like theirs is being wasted. With the exception of the occasional, off-the-cuff aside, you should have all of your questions prepared in advance. Having them in a logical order is also a good idea, it ensures things don’t get too far off-track. This isn’t to say spontaneity is a bad thing, but every house (and interview) needs a good foundation.
  • Know who you are interviewing. If you are heading out to interview a farmer, don’t show up in a tie and dress shoes. On the flip side, don’t wear jeans to interview a high-profile government figure. Know your audience, know your subject, and act accordingly. However, don’t patronize people. Be authentic. If you wear jeans and a t-shirt to interview a farmer, do so because you have a genuine interest in getting down and dirty to learn about them and their job. At the same time, wear a tie and dress shoes to interview a politician because you are interested in presenting a clean and professional appearance to someone who expects nothing less.

I’m considering making this a semi-regular feature on Ekonoline, offering tips and advice to those in the journalism profession. Stay tuned for more details.

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How-To: 4 Steps to More Easily Recover Files

by Brian Gilham on July 25, 2006

As I type this, my computer is diligently attempting to copy whatever files it can from my pre-disaster hard-drive backup. Thus far, the results have been hit or miss — mostly miss. I’ve managed to recover all of the photos I’ve used here on Ekonoline and over at Bracketed, as well as a number of my convocation photos. Unfortunately, beyond that, things aren’t looking too good.

Fortunately thanks to a good friend of mine, Josh, I’ve discovered a nifty tip which makes recovering files from a corrupted drive infinitely easier. Anyone who has copied large numbers of files in Windows knows the annoyance of leaving the computer to do its thing, then returning to find the copy failed due to one bad file. It requires a little bit of DOS work, but xcopy has come to the rescue. Here’s how to use it to try and recover files from a hosed drive.

Note: This how-to assumes the drive can still be safely connected to the computer and accessed. If not, you have bigger problems than I would ever be able to help you with.

  1. Since we are going to be working with DOS on this one, it helps to gather some information ahead of time. You’ll want to know the location of the files you are trying to recover on the dead drive (e.g. ‘D:\My Pictures\Photos‘) as well as where you’ll want any salvaged files saved (e.g. ‘C:\Backup\Photos‘).
  2. In Windows XP, open the start menu and click on Run. When the dialog box appears, enter cmd and hit enter.
  3. You should now be presented with an open DOS window. This is where you will enter the xcopy command. The format is as follows:

    xcopy "[location of files to be copied]” “[directory where the files should be copied]” /C /H /E /Y

    So, if we were to use my earlier examples, the command would appear as so:

    xcopy "D:\My Pictures\Photos" "C:\Backup\Photos" /C /H /E /Y

    A quick explanation of a few things:

    • While I use them each time (it’s just easier that way), the quotes are necessary only if any of your directory paths contain spaces in them. If you don’t use quotes, you will end up with a “Invalid number of parameters” error.
    • The various flags each allow this process to go much more smoothly:

      /C continues the copying process if errors (like a corrupted file) occur.
      /H ensures any hidden or system files will be copied.
      /E tells the system to copy any sub-directories it may find, even if they are empty.
      /Y suppresses any prompts asking you to confirm your desire to overwrite existing files in the destination directory. This is, obviously, optional.

  4. Sit back and wait — this could take a while. The system will move through each file, skipping over any which produce errors. If your drive is extremely corrupted, this could mean recovering only a few files. The unfortunate thing about this tip is that it doesn’t improve your chances if recovering files, it simply makes it easier to recover those files which dodged the bullet.

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Hard Drive Troubles

by Brian Gilham on July 22, 2006

Feeling exhausted and a little ill, I took Wednesday off to sleep in and re-charge my batteries for the rest of the week. After some well-deserved rest, I awoke and began my daily routine. Sitting down at my desk, I powered up my computer and immediately noticed a problem. I leaned in, putting my ear close to the case.

There was definitely something seriously wrong.

A quick investigation of my PC’s innards quickly revealed the source of the loud thrashing noise I was hearing — my secondary hard drive. For about two years now I’ve run a dual-hard-drive setup, storing Windows XP and my applications on one drive, and all of my documents (Word documents, digital photos, etc.) on the other. My thinking was, should something ever happen which rendered Windows a steaming, messy, pile of crap, at least my documents would be safe and sound.

Unfortunately, life decided to take an ironic turn and start destroying everything I hold near and dear in this world. Okay, so maybe my photographs aren’t worth all that, but it was still pretty traumatic nonetheless.

Immediately entering alert mode, I began frantically burning files to DVD, hoping to somehow recover anything I could. Luckily, I managed to recover a copy of the new design I’ve been working on for Ekonoline, as well as the majority of my text documents. So far, however, most of the picture files have eluded me. That particular directory was corrupted before I put the files on disc, it would seem, so I was doomed from the start.

I made my down to BestByte, ninja’d in, obtained a new 160 GB Maxtor drive, and ninja’d my way out. Rather than continue with my dual-drive configuration, I decided to use only the Maxtor drive and keep my “old” primary drive as a backup. It now sits happily in my case, awaiting Windows XP and other goodies to fill its nooks and crannies.

Back. Your. Files. Up. Frequently.

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Interview: Chris Glass

by Brian Gilham on July 18, 2006

Whether reading about the latest developments in his life or gazing at his oddly-comforting photography, it’s easy to see why people find themselves so caught up in the writing of Chris Glass. Self-publishing since 2002, Glass has the unique ability to touch on something very public and open one moment, then bring you down into the minutiae of his life, friends, and family the next. The result is a touching record of one man’s daily adventures, triumphs, failures, and so much more.

So as I sat there surrounded by hay, squinting in the viewfinder through the lens, it felt pretty good. Maybe the breeze lifted some of the heaviness that’s been stickin’ round. Of course, if it’s humid as all get-out tomorrow, all bets are off.

Fresh off his stint as guest editor at Coudal, I sat down recently to throw five quick questions at Chris. While the answers may not be surprising for regular visitors to his site, they provide an interesting look into the mind of a simple creative — even if it’s a label he struggles with from time to time.

BG: You recently released your first mash-up, titled ‘Promiscuous Opposites’. When can we expect to see ‘Chris Glass: The Album’?

CG: Funny thing about that mash-up, I got a few emails saying it was bad. I think I need to add a disclaimer to alert readers of my dry sense of humor.

Bad was the intention.

That said, I’ve a good friend who has this thing called “Band Night” where we get together and improvise an evening of music. Everything’s recorded and he mixes it down to an album the following day. We’re long overdue for laying down some “tracks,” but I should warn you in advance: what we make is, um, also bad. But I suppose that is in the ear of the beholder.

BG: Your weblog tends to focus primarily on personal experiences and thoughts, how do you find visitors react to that? What do you find you get out of it?

CG: I keep the personal journal going for a pretty small audience: myself, family, friends, and the potential of connecting with folks I don’t know yet.

It’s polarizing. I figure I lose lots of potential return visits based on subject matter, and to thwart that I’ve considered creating a separate weblog with a more professional tone. Writing about something like design though sounds like work, and there are so many folks doing a great job of that already. So I jump around and try to capture things around me.

One of the greatest things I’ve gained from reading other weblogs is the exposure to perspectives I normally wouldn’t have encountered. I feel like my world-view and appreciation for everything has broadened. I hope that by presenting a smattering of life that crosses over different topics, gives some of that back.

Other benefits: I remember more. If I commit a day to an image and a bit of text, it helps me organize and recall things. Maybe that has something to do with my learning style. When memory fails, there is Google. I can string together a few terms and bring back details in short order.

BG: Photos are a large part of your site, do you have any sort of process for finding the shots you feature in your posts?

CG: No process. I like to think of my photos as ordinary. I admit to sometimes adding yellow and red to the hues in post processing, but for the most part I keep things relatively untouched, only cropped.

My camera is usually nearby any given day. I don’t like it to be obtrusive. If I capture a potential “picture of the day” I put the camera away and continue being back in the moment.

BG: A monkey, a bunny, or a lemur, which do you choose? Why?

CG: A monkey. That would make it easier to open beers and play videogames.

What are your top five tracks at the moment?

  1. Sun Kil Moon “Ocean Breathes Salty” - This Modest Mouse cover takes the tempo down a few notches, but makes something new and wonderful. Supermellow. Melancholy.
  2. Mountains “Blown Glass Typewriter” - Quiet stuff I can play in the background helps me concentrate. This fits the bill.
  3. The Breeders “Huffer” - This track from their last album Title TK (yep, back in 2002) just caught on with me, and it’s a great summer song.
  4. Belle & Sebastian “The Blues Are Still Blue” - This is about as booty-shakin as I get these days.
  5. Kimya Dawson “My Mom” - A bit of vulnerable storytelling vacillating between smiling and crying. I like music that pulls you here and there.

Thanks Chris!

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My Perfect Evening

by Brian Gilham on July 18, 2006

An old highway in the middle of the desert. No other cars in sight, and the highway seems to go on for an eternity. Night is quickly approaching and the sun is setting in the East, the same direction we’re driving.

It’s amazing how far an old, beat-up El Camino can take you. All it takes is a little love and some duct-tape.

Our stuff is thrown haphazardly in the back, most of it grabbed in the confusion following sleeping in the Wal-Mart parking lot. We can thank the security guard for the dent in the back. We didn’t even bring a tent, we just sleep in the car.

On the back of the front seat, we’ve written the names of all the towns we’ve been to, the list is getting pretty big. We’ll have to start writing on the back seat, soon. The fuzzy dice hanging from the rear-view mirror are casting dancing shadows on our faces.

Speeding down that highway, my girlfriend is snuggled against my shoulder, lying across the front seat. Her arm around my waist, I can feel her breathing against my chest. I’ve got no clue what city we’re headed to next, I just picked a direction and started driving.

My best friend is in the back, sprawled out across the seat, trying to get some sleep. Every once in a while, he’ll roll over and ask where we are.

“I don’t know.”

He’ll just lean over the back of my seat, nod knowingly, and lie back down. It’s been a long day for all of us. I’ve still got another few hours behind the wheel before my best friend and I will switch. My girlfriend rarely drives, she can barely reach the pedals.

Before we left, girlfriend made me a mix-tape, full of songs I really like. I reach over, as the car disappears into the night, and hit ‘play’.

The tunes carry me on, through the night.

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